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Play — 【Schubert: Waltz in D major, op. post. 127/D. 146, No. 1】 · コセレイキ 〖壹〗 𖧽𒀉᷍ LEIKI KOSE (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This waltz feels like a light, salon-sized dance, with a supple rocking pulse and short, bright phrases rather than broad Romantic expanses. Technically, Sight-reading (2.5/5) means you must quickly recognize repeating accompaniment patterns and place the hands without hesitation to keep the dance flowing; Dynamics (2.5/5) require nuanced balancing so the melody sings forward while the accompaniment stays subdued, which calls for precise wrist and finger control to shape the phrases. In Schubert’s output this is one of the short piano dance pieces often associated with domestic performance and issued posthumously among his miniatures for piano. I omit mentioning specific recordings because I cannot confidently identify a single definitive interpretation for this particular waltz.