Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This set of variations on a minuet has a primarily dance-like, playful character, with passages that call for lightness and clarity of articulation rather than large expressive gestures. Technique: Analysis harmonique (3.8/5) will require you to follow chord progressions and quick modulations to shape cadences and maintain inner lines — this implies anticipating chord inversions and precise voicing in the left hand; Nuances (2.5/5) show that the challenge lies in controlling small dynamic gradations and timbral contrasts, so work on arm weight and touch to shape phrases without exaggeration. In Mozart's catalogue the piece belongs to his piano salon works and variations, useful for studying Classical style in a compact form. I do not give a reference performance here because I am not 100% certain of a specific recording for this work.