Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
The Sarabande from Pour le piano has a restrained, ceremonial character, with a dance pulse that feels solemn and studded with subtle accents requiring careful tone control. Technically, you will face Passages rapides (4.5/5) that call for clear articulation and economical wrist movement to maintain line without stiffness, and Croisements de mains (4.5/5) that demand precise finger placement and relaxed arm coordination to keep exchanges between the hands fluid. This movement comes from Debussy's suite Pour le piano, an important contribution to his piano repertoire that reworks older dance forms through his harmonic language. I am not listing a recording reference here out of caution, but I can suggest authoritative interpretations once we confirm which editions or performers you prefer.