Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
These marches and polonaises have a sprightly, slightly ceremonial character, alternating percussive accents with lyrical passages that require a clear line without weighing down the ritualistic accents. You will need to work especially on Connaissance des formes (3.1/5) — here that means understanding repeats, contrasting sections and phrase proportions to shape ornaments and thematic returns — and on Lecture à vue (2.5/5), since rhythmic precision and hand coordination in regular figurations demand fluent reading to maintain forward drive. The pieces belong to the Classical period and reflect C.P.E. Bach's expressive approach within his catalogue of salon- and character pieces. I do not give a specific reference recording because I am not fully confident about a definitive interpretation for these works.