Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This piano arrangement of Ode to Joy calls for a clear, luminous melodic quality — the character is welcoming and hymn-like, with phrases that need to breathe as if sung. The main technical challenges are Phrasing (2.5/5), which here requires shaping the melody with measured accents and internal breaths, and Legato (2.5/5), which demands careful finger connection to make the line sing as a continuous phrase; both skills involve controlled wrist action and efficient finger movement to maintain a steady tone. It is a piano adaptation of the famous theme from Beethoven's Ninth Symphony, frequently played in transcriptions for study and informal recitals.