Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This G minor Sonata projects a tense, nocturnal character, shifting between biting lyrical lines and more turbulent episodes where the overall mood stays dark and inward-looking, as if compressing orchestral drama into the piano. Technically, you will need to work on "Connaissance des formes (3.6/5)" to map out repeats and long transitions that determine breathing points and weight distribution, and on "Analyse harmonique (3.6/5)" to anticipate quick modulations so you can shape voicings and hand balance; the "Pédale de sustain (3.1/5)" also requires precise use to keep inner voices clear over sustained textures. The piece belongs to the late Romantic period of the composer and represents a mature, denser contribution to his piano output. I do not provide a reference recording here out of caution, since I cannot be fully certain of a single definitive interpretation for this specific sonata.