Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Poem has an intimate, coloristic character, with warm sonorities and delicate rhythmic inflections, like an inner conversation where harmonic gestures bloom and recede. On the technical side, you will need to work the Tempo rubato (3.1/5) by learning to modulate the pulse with small measured variations without losing the line — short release or support gestures to slightly delay or hasten — and the Sustain pedal (3.1/5), which requires very fine control (half-pedaling and precise liftings) to connect chords without blurring the voices. It is a solo piano piece from Scriabin’s Romantic period and belongs to his output of introspective, lyrical piano works. I do not provide a recommended interpretation because I am not certain of a single widely recognized recording for this specific piece.