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Play — Franz Schubert - Ungarische Melodie, D. 817 (Audio + Score) · JoshScores (the player loads on click)
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Play — Ungarische Melodie, D. 817 · Franz Schubert, Gerhard Oppitz (the player loads on click)
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Public-domain sheet music on IMSLP ↗
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
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This Ungarische Melodie conveys a dance-like yet wistful mood, with crisp accents and singing responses that alternate between brightness and restraint. For technical challenges, pay particular attention to Tempo rubato (3.1/5), which here requires small, precise lengthenings and releases to maintain forward motion without breaking the line, and to the Sustain Pedal (3.1/5), where a controlled, discreet pedaling gesture is needed—frequent, measured changes to color chords without blurring inner voices. As a Romantic-period piece, it belongs to Schubert's piano miniatures that often balance lyrical melody against accompanimental textures. I do not list a reference performance out of caution, as I'm not fully certain of a single widely recognized recording for this work.