Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
Does this rating look right to you?
This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
The sonata immediately suggests a lively, hunt-like atmosphere, with running motifs and pronounced accents that evoke horns and group movement rather than a long lyrical line. Technically, pay particular attention to the Analyse harmonique (3.6/5), which here means anticipating quick modulations and cadences to shape phrases, and the Lecture clé de fa (3.1/5), which requires secure bass reading to handle leaps and alternating accompaniments; these actions determine articulation and clarity of the figurations. As a Baroque piece, it belongs to Scarlatti's large body of keyboard sonatas and showcases his taste for programmatic effects and concise virtuosity. I will not suggest a reference recording since I am not fully certain of a single widely recognized interpretation for this specific sonata.