Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This B-flat major sonata projects a rhythmic sparkle and contrapuntal clarity where quick call-and-response figures between the hands create a lively yet focused character rather than expansive lyricism. Technically you will need to work on Analyse harmonique (3.6/5) to anticipate small modulations and bring out inner voices, and on Ornements baroque (3.1/5) which require precise attack and rhythmic placement of trills and grace notes; concretely that means refined finger control for short/long articulations and careful balance between right and left hand to reveal melodic lines. Written in the Baroque period for keyboard, it belongs to Scarlatti's large body of short, inventive sonatas that explore hand crossings, rapid figurations and compact formal designs.