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Play — Sonate K. 248 en si bémol majeur · Miguel Fontes Meira (the player loads on click)
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Play — Projet #Scarlatti555, France Musique · Olga Pashchenko (the player loads on click)
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Play — Keyboard Sonata in B-Flat Major, K.248/L.S35/P.187 · Domenico Scarlatti, Linda Nicholson (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
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A useful leap with guided practice.
This B-flat major sonata feels lively and sprightly, with a clear rhythmic drive and call-and-response passages between the hands that create a compact instrumental dialogue. Technically you will focus on Harmonic analysis (3.6/5): you must trace the modulations and shape phrases to highlight cadences and answers, which requires adjusting hand-weight and dynamics between right and left hands; and Baroque ornaments (3.1/5) demand light, precise fingering for mordents and short embellishments, controlling attack with wrist flexibility so the line stays clear. The piece belongs to the Baroque period and is one of the many keyboard sonatas by Domenico Scarlatti that investigate virtuosic-rhythmic effects and idiomatic color, originally for harpsichord and often played on piano. I do not give a recommended recording here to avoid any risk of inaccuracy.