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Play — Johann Sebastian Bach - Suite Es-dur BWV 819; Allemande BWV 819a · Un petit abreuvoir (the player loads on click)
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Play — Suite in E-Flat Major, BWV 819: III. Sarabande · Johann Sebastian Bach, Yuan Sheng (the player loads on click)
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Public-domain sheet music on IMSLP ↗
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
One rarely plays the whole work. We do not yet have a level specific to each of these movements: they carry the opus's level, which does not say which one is the most approachable.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Suite in E-flat unfolds as a series of crisp, dance-like movements where rhythmic drive and clear counterpoint take priority over lyrical excess: forward momentum and well-placed breaths shape the character. You will need to focus on the Ornements baroque (4.1/5), practising the small finger gestures and wrist relaxation that produce short, precise mordents and embellishments, and on Connaissance des formes (4.1/5) to map out each dance (managing repeats, phrase balance and transitions) so the architecture is always clear. As a Baroque work, it belongs to Bach's keyboard suite repertoire and illustrates the blending of dance forms with contrapuntal craftsmanship. I do not provide performance references here because I prefer not to name recordings unless I am certain of them.