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Play — Bach - Suite in A minor, BWV 818 · Anthony Mondon (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Suite in A minor projects a crisp, contrapuntal character: movements alternate between dance-like sections with incisive figurations and more lyrical episodes where the polyphony opens up. Technically, you will need to focus on Ornements baroque (4.1/5) — executing mordents, appoggiaturas and trills cleanly and rhythmically requires very controlled finger work and precise articulation — and on Lecture clé de fa (3.1/5), which means reading and organizing independent bass lines for the left hand while maintaining the polyphonic flow. The work belongs to the Baroque period and sits within Bach's solo keyboard repertoire where he refines suite/partita forms and contrapuntal writing. I do not provide a reference interpretation here because I am not fully certain of a specific recording for this piece.