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Play — Solo Concerto No.16 in Dm, BWV.987 / J.S.Bach - J. Pedro Vaz · Axtreon (the player loads on click)
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Play — Keyboard Concerto in D Minor, BWV 987: III. Adagio (Arr. Of Johann Ernst [Prince of Weimar]'s Violin Concerto, Op. 1, No. 4) · Johann Sebastian Bach, Elizabeth Farr (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This D minor keyboard concerto projects a dark, driving dance quality: agitated triplet passages and sharply etched melodic lines alternate with more restrained replies, giving the piece a simultaneously forceful and nimble character. You will need to focus on Baroque Ornaments (3.1/5) — here mordents and appoggiaturas require crisp, brief execution with precise fingers and a relaxed wrist to insert them without breaking the momentum — and Touch Control (2.5/5), since the clarity of the polyphony depends on selective voicing and differentiated attacks on a modern keyboard. The work belongs to Bach's Baroque keyboard concerto repertory and sits among his pieces that adapt concertante writing for solo keyboard. I do not give a recommended recording because I am not fully certain of a single widely recognized reference for this specific concerto.