Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
These Three Pieces convey, in turn, a dry irony, restrained lyrical gestures and crisp rhythmic outbursts rather than a broadly sentimental mood. You will need to pay close attention to the Polyrhythm 2 against 3 (3.1/5), which requires independent hands and precise attack placement so the layering stays clear, and to the Impressionistic style (3.1/5), which here asks for careful tone colours through light touch and controlled pedalling to reveal subtle timbral shifts. The set belongs to Prokofiev's modern period and is part of his output of short but concentrated solo piano pieces. I do not provide a recommended recording because I am not sufficiently certain of a specific, reliably identified interpretation for this work.