Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Bourrée au pavillon d'Auvergne feels playful and mildly rustic: bouncing rhythms and off‑beat accents suggest a lively dance with a hint of irony rather than simple pastoralism. You will need to work the Polyrhythmie 2 contre 3 (3.1/5) by keeping the hand playing two beats slightly flexible while the other maintains three steady attacks, and the Staccato (2.5/5) requires precise finger release so short notes remain crisp without hardening the texture. It belongs to the composer’s modern period and is part of his solo piano output that combines popular charm with salon refinement. I do not give a reference interpretation here out of caution.