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Play — La Muse ménagère op. 245 · Carl Banner (the player loads on click)
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Play — La muse menagere, Op. 245: Reconnaissance a la Muse · Darius Milhaud, Madeleine Milhaud, Alexandre Tharaud (the player loads on click)
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Public-domain sheet music on IMSLP ↗
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
The piece feels domestic and playful, with short motifs that suggest household scenes in a light but rhythmically pointed manner. You will mainly need to work the Polyrhythmie 2 contre 3 (3.1/5) — here that means keeping a steady binary pulse in one hand while the other groups three, requiring hand independence and an internalized subdivision — and the Style impressionniste (3.1/5), which demands a colored touch, careful use of pedal and attention to voicing so the blurred harmonies remain clear. Listed in the modern period and bearing the given opus number, it belongs to Milhaud's piano output as a character piece among his chamber and pedagogical works. I do not provide a reference recording here because I prefer not to name an interpreter unless I am certain of the association for this specific work.