Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Valse d'Adele has an elegant, slightly dreamy salon character: it alternates marked, danceable two-beat figures with more hesitant, reflective interludes that call for flexibility and charm rather than sheer bravura. Technically, pay close attention to Tempo rubato (3.9/5) and Phrasing (3.9/5): the tempo rubato here means small, expressive shifts of pulse (slightly delaying at phrase endings then resuming without breaking the line) and the phrasing requires shaping each melodic arc through precise attack and release of the fingers to bring out inner voices. Placed in the Romantic period, it functions as one of Liszt's more intimate salon waltzes within his piano output, illustrating his interest in dance forms and lyrical expression on a smaller scale.