Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This piece unfolds an intimate Spanish color, alternating singing passages with rhythmic flashes where you hear gentle nostalgia at times and a guitar-like percussive relief at others. Tempo rubato (3.1/5) will require a nuanced sense of breath here: slight delaying and advancing of beats to shape the vocal line without breaking the overall pulse, and Sustain pedal (3.1/5) demands precise control to preserve the resonance of singing chords while avoiding blurring during faster figures. The work belongs to Liszt’s Romantic period and is part of his short character pieces inspired by Spain, rather than his large studies or symphonic poems. I do not provide a reference performance because I am not 100% certain of a definitive recording for this specific piece.