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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This cycle creates very evocative, shifting piano landscapes, alternating reflective moments, virtuosic flashes and rich harmonic colors that call for attention to tone color rather than mere speed. You will notably face the Tempo rubato (3.1/5), which here requires a finely controlled pulse—subtle holding and release within phrases—and the Pédale de sustain (3.1/5), where the gesture is careful half-pedaling and timed releases to preserve clarity while sustaining harmonic bloom. From the Romantic period, these pieces hold a central place in Liszt’s output as pictorial and poetic studies for the piano. I do not provide a reference interpretation because I am not fully certain of a single definitive recording to recommend.