Repertoire › Violin Sonata E major op. 2,10 › What to play next
What to play after Violin Sonata E major op. 2,10 ?
Michele Mascitti · difficulty 23/100

Choose your level of commitment: consolidate, move up a tier or prepare a challenge. The top-ranked cards combine difficulty, risk, shared skills and confidence.

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Gentle step

The safest next step.

Gentle
Violin Sonata no. 2 in D major, K.7
Wolfgang Amadeus Mozart
28/100 +5 pts 2-4 weeks
new reflexes low risk to confirm
A short step up — but it is the one that moves you into Elementary (around grade 3 ABRSM/RCM). New compared with the previous piece: Vibrato and Legato d'archet — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.
Gentle
Violin Sonata no. 16 in B flat major, K.31
Wolfgang Amadeus Mozart
30/100 +7 pts 2-4 weeks
new reflexes low risk to confirm
A short step up — but it is the one that moves you into Elementary (around grade 3 ABRSM/RCM). New compared with the previous piece: Vibrato and Legato d'archet — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.
Balanced step

A genuine step up, without a jolt.

Balanced
Violin Sonata no. 4 in G major, K.9
Wolfgang Amadeus Mozart
34/100 +11 pts 6-12 weeks
new reflexes moderate risk to confirm
A real step up: this piece moves you into Elementary (around grade 4 ABRSM/RCM). New compared with the previous piece: Vibrato and Legato d'archet — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.
Balanced
Violin Sonata no. 3 in B flat major, K.8
Wolfgang Amadeus Mozart
33/100 +10 pts 6-12 weeks
new reflexes moderate risk to confirm
A real step up: this piece moves you into Elementary (around grade 4 ABRSM/RCM). New compared with the previous piece: Vibrato and Legato d'archet — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.
Balanced
Choro for violin and orchestra
Camargo Guarnieri
35/100 +12 pts 6-12 weeks
new reflexes moderate risk to confirm
A real step up: this piece moves you into Elementary (around grade 4 ABRSM/RCM). New compared with the previous piece: Style moderne et contemporain — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Balanced
Berceuse - Petite reine, for violin and piano
Edward Elgar
37/100 +14 pts 6-12 weeks
new reflexes moderate risk to confirm
A real step up: this piece moves you into Elementary (around grade 4 ABRSM/RCM). New compared with the previous piece: Vibrato and Legato d'archet — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.
Ambitious challenge

A useful leap with guided practice.

Challenge
Violin Sonata no. 11 in E flat major, K.26
Wolfgang Amadeus Mozart
39/100 +16 pts 12-24 weeks
new reflexes high risk to confirm
An ambitious leap into Elementary (around grade 4 ABRSM/RCM) — only worth starting if the practice time is really there. New compared with the previous piece: Vibrato and Legato d'archet — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.
Challenge
Rondo for Violin and Piano in G major, WoO 41
Ludwig van Beethoven
38/100 +15 pts 12-24 weeks
new reflexes moderate risk to confirm
An ambitious leap into Elementary (around grade 4 ABRSM/RCM) — only worth starting if the practice time is really there. New compared with the previous piece: Vibrato and Style classique — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.
Challenge
Variations for Violin and Piano g minor K. 360 (374b)
Wolfgang Amadeus Mozart
44/100 +21 pts 16-32 weeks
new reflexes high risk to confirm
An ambitious leap into Elementary (around grade 5 ABRSM/RCM) — only worth starting if the practice time is really there. New compared with the previous piece: Passages rapides and Style classique — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Same level

To widen the repertoire without raising the level.

Same level
Violin Sonata K 7
Mozart
23/100 same level 1-2 weeks
new reflexes low risk to confirm
Equivalent demands, still Beginner (around grade 2 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Style classique and Intonation — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Same level
Gavotte, for violin and piano
Jean-Baptiste Lully
23/100 same level 1-2 weeks
new reflexes low risk to confirm
Equivalent demands, still Beginner (around grade 2 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Style baroque and Ornements baroque — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Same level
Violin Sonata K 6
Mozart
22/100 -1 pts 1-2 weeks
new reflexes low risk to confirm
Equivalent demands, still Beginner (around grade 2 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Style classique and Intonation — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Progressions computed from difficulty, skill overlap and style between works. A What do we play next? recommendation should remain a pedagogical starting point, not an automatic prescription.