Que jouer après Adagio and Allegro, Op.70 ?

Choose your level of commitment: consolidate, move up a tier or prepare a challenge. The top-ranked cards combine difficulty, risk, shared skills and confidence.

Back to the full work page

Gentle step

The safest next step.

Gentle

Cello Sonata in A minor

Alexander von Zemlinsky

71/100 +5 pts 7-14 weeks

close skills low risk to confirm

A short step up, staying in Advanced (around grade 8 ABRSM/RCM). New compared with the previous piece: Analyse harmonique and Legato d'archet (violoncelle) — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.

Gentle

Cello Sonata no. 1 in E minor, op. 38

Johannes Brahms

70/100 +4 pts 7-14 weeks

partial transfer low risk to confirm

A short step up, staying in Advanced (around grade 7 ABRSM/RCM). New compared with the previous piece: Connaissance des formes and Passages rapides — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.

Gentle

L'Abbandono, Op.1

Alfredo Carlo Piatti

70/100 +4 pts 7-14 weeks

close skills low risk to confirm

A short step up, staying in Advanced (around grade 7 ABRSM/RCM). New compared with the previous piece: Tenue de l'archet (violoncelle) and Vibrato (violoncelle) — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.

Gentle

Amour et Caprice, Op.10

Alfredo Carlo Piatti

72/100 +6 pts 7-14 weeks

close skills low risk to confirm

A short step up, staying in Advanced (around grade 8 ABRSM/RCM). New compared with the previous piece: Passages rapides and Vibrato (violoncelle) — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.

Gentle

Cello Sonata in F major, op. 6, TrV115

Richard Strauss

70/100 +4 pts 6-12 weeks

partial transfer low risk to confirm

Balanced step

A genuine step up, without a jolt.

Balanced

Cello Sonata in G minor, op. 65

Frédéric Chopin

77/100 +11 pts 14-28 weeks

partial transfer moderate risk to confirm

A real step up, staying in Advanced (around grade 8 ABRSM/RCM). New compared with the previous piece: Connaissance des formes and Vibrato (violoncelle) — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.

Balanced

Cello Sonata no. 1 in F minor, op. 26, no. 1

George Enescu

76/100 +10 pts 14-28 weeks

partial transfer moderate risk to confirm

Balanced

Cello Sonata in D minor, L.135

Claude Debussy

78/100 +12 pts 14-28 weeks

partial transfer moderate risk to confirm

Balanced

Cello Sonata, op. 84

Vincent d'Indy

74/100 +8 pts 14-28 weeks

partial transfer moderate risk to confirm

Ambitious challenge

A useful leap with guided practice.

Challenge

Suites G major, d minor, a minor op. 131c

Max Reger

84/100 +18 pts 32-64 weeks

new reflexes high risk to confirm

An ambitious leap into Great repertoire (diploma level, beyond grade 8) — only worth starting if the practice time is really there. New compared with the previous piece: Polyphonie à deux voix and Style baroque — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.

Challenge

Cello Sonata no. 2 in F major, op. 99

Johannes Brahms

82/100 +16 pts 32-64 weeks

partial transfer high risk to confirm

An ambitious leap into Great repertoire (diploma level, beyond grade 8) — only worth starting if the practice time is really there. New compared with the previous piece: Connaissance des formes and Passages rapides — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.

Challenge

Sonata for Cello Solo, op. 28

Eugene Ysaÿe

82/100 +16 pts 32-64 weeks

partial transfer high risk to confirm

An ambitious leap into Great repertoire (diploma level, beyond grade 8) — only worth starting if the practice time is really there. New compared with the previous piece: Position du pouce and Connaissance des formes — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.

Same level

To widen the repertoire without raising the level.

Same level

Cello Sonata no. 2 in G minor, op. 117

Gabriel Fauré

64/100 -2 pts 4-7 weeks

partial transfer low risk to confirm

Equivalent demands, right at the edge of Intermediate (around grade 7 ABRSM/RCM): different ground, same level. What changes is the skill in play: Connaissance des formes and Passages rapides — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.

Same level

Cello Sonata no. 1 in D minor, op. 109

Gabriel Fauré

64/100 -2 pts 4-7 weeks

partial transfer low risk to confirm

Equivalent demands, right at the edge of Intermediate (around grade 7 ABRSM/RCM): different ground, same level. What changes is the skill in play: Connaissance des formes and Vibrato (violoncelle) — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.

Same level

Cello Sonata no. 2, op. 58

Felix Mendelssohn

69/100 +3 pts 4-7 weeks

partial transfer low risk to confirm

Equivalent demands, still Advanced (around grade 7 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Connaissance des formes and Passages rapides — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.

Progressions computed from difficulty, skill overlap and style between works. A What do we play next? recommendation should remain a pedagogical starting point, not an automatic prescription.