Repertoire › Cello Suite no. 1, op. 72: 4. Marcia. Alla marcia moderato › What to play next
What to play after Cello Suite no. 1, op. 72: 4. Marcia. Alla marcia moderato ?
Benjamin Britten · difficulty 70/100

Choose your level of commitment: consolidate, move up a tier or prepare a challenge. The top-ranked cards combine difficulty, risk, shared skills and confidence.

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Gentle step

The safest next step.

Gentle
Cello Suite no. 2, op. 80: V. Ciaccona. Allegro
Benjamin Britten
75/100 +5 pts 7-14 weeks
close skills low risk fair confidence
A short step up, staying in Advanced (around grade 8 ABRSM/RCM). New compared with the previous piece: Intonation (violoncelle) and Style baroque — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Gentle
Cello Suite no. 5 in C minor, BWV.1011
Johann Sebastian Bach
74/100 +4 pts 7-14 weeks
partial transfer low risk to confirm
A short step up, staying in Advanced (around grade 8 ABRSM/RCM). New compared with the previous piece: Intonation (violoncelle) and Analyse harmonique — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Gentle
Solo Cello Suite no. 1, op. 72
Benjamin Britten
76/100 +6 pts 7-14 weeks
close skills low risk fair confidence
A short step up, staying in Advanced (around grade 8 ABRSM/RCM). The skill that will carry the work: Position du pouce and Style baroque — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Gentle
Suite no. 2 for Solo Cello
Ernest Bloch
77/100 +7 pts 7-14 weeks
close skills low risk to confirm
A short step up, staying in Advanced (around grade 8 ABRSM/RCM). New compared with the previous piece: Intonation (violoncelle) and Style baroque — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Balanced step

A genuine step up, without a jolt.

Balanced
Solo Cello Suite no. 3, op. 87
Benjamin Britten
81/100 +11 pts 16-32 weeks
close skills moderate risk fair confidence
A real step up: this piece moves you into Great repertoire (diploma level, beyond grade 8). The skill that will carry the work: Style baroque and Ornements baroque — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Balanced
Solo Cello Suite no. 2, op. 80
Benjamin Britten
80/100 +10 pts 16-32 weeks
close skills moderate risk fair confidence
A real step up: this piece moves you into Great repertoire (diploma level, beyond grade 8). The skill that will carry the work: Style baroque and Ornements baroque — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Balanced
Cello Sonata, op. 40
Dmitri Shostakovich
79/100 +10 pts 14-28 weeks
partial transfer moderate risk to confirm
A real step up, staying in Advanced (around grade 8 ABRSM/RCM). New compared with the previous piece: Analyse harmonique and Legato d'archet (violoncelle) — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Balanced
Passacaglia, for cello solo
William Walton
78/100 +8 pts 14-28 weeks
partial transfer moderate risk to confirm
A real step up, staying in Advanced (around grade 8 ABRSM/RCM). New compared with the previous piece: Intonation (violoncelle) and Style moderne et contemporain — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Ambitious challenge

A useful leap with guided practice.

Challenge
Schelomo, rhapsody for cello and orchestra
Ernest Bloch
90/100 +20 pts 36-72 weeks
partial transfer high risk to confirm
An ambitious leap into Great repertoire (diploma level, beyond grade 8) — only worth starting if the practice time is really there. New compared with the previous piece: Octaves and Style moderne et contemporain — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Challenge
Cello Suite no. 6 in D major, BWV.1012
Johann Sebastian Bach
85/100 +15 pts 32-64 weeks
partial transfer moderate risk to confirm
An ambitious leap into Great repertoire (diploma level, beyond grade 8) — only worth starting if the practice time is really there. New compared with the previous piece: Lecture clé d'ut et de sol and Intonation (violoncelle) — reading the score is itself an obstacle before technique: budget time for plain reading.
Challenge
Concerto-Rhapsody for Cello and Orchestra in D minor
Aram Khachaturian
85/100 +15 pts 32-64 weeks
partial transfer moderate risk to confirm
An ambitious leap into Great repertoire (diploma level, beyond grade 8) — only worth starting if the practice time is really there. New compared with the previous piece: Octaves and Style moderne et contemporain — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Same level

To widen the repertoire without raising the level.

Same level
Cello Sonata in C major, op. 65: III. Elegia
Benjamin Britten
71/100 +1 pts 5-8 weeks
partial transfer low risk to confirm
Equivalent demands, still Advanced (around grade 7 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Analyse harmonique and Legato d'archet (violoncelle) — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Same level
Cello Sonata in C major, op. 65: II. Scherzo: pizzicato
Benjamin Britten
72/100 +2 pts 5-8 weeks
partial transfer low risk to confirm
Equivalent demands, still Advanced (around grade 8 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Analyse harmonique and Legato d'archet (violoncelle) — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Same level
Cello Sonata, H.20
Arthur Honegger
67/100 -3 pts 4-7 weeks
partial transfer low risk to confirm
Equivalent demands, still Advanced (around grade 7 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Legato d'archet (violoncelle) and Analyse harmonique — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Progressions computed from difficulty, skill overlap and style between works. A What do we play next? recommendation should remain a pedagogical starting point, not an automatic prescription.