Que jouer après Violin Concerto in G major, D.83 ?

Choose your level of commitment: consolidate, move up a tier or prepare a challenge. The top-ranked cards combine difficulty, risk, shared skills and confidence.

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Gentle step

The safest next step.

Gentle

Violin Concerto in G minor, RV.330

Antonio Vivaldi

60/100 +5 pts 6-12 weeks

close skills low risk to confirm

A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). The skill that will carry the work: Ornements baroque and Style baroque — ornaments must be secure before the piece goes up to tempo, otherwise they break the line instead of decorating it.

Gentle

Violin Sonata no. 4 in C minor, BWV.1017

Johann Sebastian Bach

59/100 +4 pts 5-10 weeks

partial transfer low risk to confirm

A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). New compared with the previous piece: Vibrato and Legato d'archet — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.

Gentle

Violin Sonata in C major, B. C1

Giuseppe Tartini

61/100 +6 pts 6-12 weeks

close skills low risk to confirm

A short step up, staying in Intermediate (around grade 7 ABRSM/RCM). New compared with the previous piece: Vibrato and Legato d'archet — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.

Gentle

Violin Sonata in G major, B. G2

Giuseppe Tartini

61/100 +6 pts 6-12 weeks

close skills low risk to confirm

Gentle

Violin Concerto in E major, RV.268

Antonio Vivaldi

58/100 +3 pts 5-10 weeks

close skills low risk to confirm

A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). The skill that will carry the work: Style baroque and Ornements baroque — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.

Balanced step

A genuine step up, without a jolt.

Balanced

Violin Sonata in G major, BWV.1019a

Johann Sebastian Bach

65/100 +10 pts 12-24 weeks

partial transfer moderate risk to confirm

A real step up: this piece moves you into Advanced (around grade 7 ABRSM/RCM). New compared with the previous piece: Vibrato and Legato d'archet — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.

Balanced

Violin Sonata in E minor, B. e1

Giuseppe Tartini

64/100 +10 pts 12-24 weeks

close skills moderate risk to confirm

A real step up, staying in Intermediate (around grade 7 ABRSM/RCM). New compared with the previous piece: Vibrato and Legato d'archet — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.

Balanced

Violin Sonata in B minor, B.h1

Giuseppe Tartini

63/100 +8 pts 12-24 weeks

close skills moderate risk to confirm

Balanced

Violin Concerto in E major, BWV.1042

Johann Sebastian Bach

69/100 +14 pts 12-24 weeks

partial transfer moderate risk to confirm

A real step up: this piece moves you into Advanced (around grade 7 ABRSM/RCM). New compared with the previous piece: Polyphonie à deux voix and Connaissance des formes — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.

Ambitious challenge

A useful leap with guided practice.

Challenge

Violin Sonata in E major, C.108

Heinrich Franz von Biber

72/100 +17 pts 28-56 weeks

partial transfer high risk to confirm

An ambitious leap into Advanced (around grade 8 ABRSM/RCM) — only worth starting if the practice time is really there. New compared with the previous piece: Vibrato and Legato d'archet — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.

Challenge

50 Variations on a Theme of Corelli, for violin and piano

Giuseppe Tartini

71/100 +16 pts 28-56 weeks

partial transfer high risk to confirm

An ambitious leap into Advanced (around grade 7 ABRSM/RCM) — only worth starting if the practice time is really there. New compared with the previous piece: Connaissance des formes and Passages rapides — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.

Challenge

Violin Sonata in A, C.106, "Pastorella"

Heinrich Franz von Biber

71/100 +16 pts 28-56 weeks

partial transfer high risk to confirm

An ambitious leap into Advanced (around grade 7 ABRSM/RCM) — only worth starting if the practice time is really there. New compared with the previous piece: Vibrato and Legato d'archet — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.

Same level

To widen the repertoire without raising the level.

Same level

Violin Sonata in G minor, B. g10 “Didone abbandonata”: III. Allegro

Giuseppe Tartini

55/100 same level 4-6 weeks

partial transfer low risk to confirm

Equivalent demands, still Intermediate (around grade 6 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Vibrato and Connaissance des formes — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.

Same level

Violin Sonata in G minor, B. g10 “Didone abbandonata”: I. Affettuoso

Giuseppe Tartini

54/100 -1 pts 4-6 weeks

partial transfer low risk to confirm

Same level

Violin Sonata no. 3 in E major, BWV.1016

Johann Sebastian Bach

53/100 -2 pts 4-6 weeks

partial transfer low risk to confirm

Equivalent demands, still Intermediate (around grade 6 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Vibrato and Legato d'archet — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.

Progressions computed from difficulty, skill overlap and style between works. A What do we play next? recommendation should remain a pedagogical starting point, not an automatic prescription.