What to play after Toccata in G minor, BWV.915 ?
Johann Sebastian Bach · difficulty 79/100

Choose your level of commitment: consolidate, move up a tier or prepare a challenge. The top-ranked cards combine difficulty, risk, shared skills and confidence.

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Gentle step

The safest next step.

Gentle
Toccata, Fuga in D minor
Alessandro Scarlatti
84/100 +5 pts 8-16 weeks
close skills low risk to confirm
A short step up — but it is the one that moves you into Great repertoire (diploma level, beyond grade 8). New compared with the previous piece: Analyse harmonique and Staccato — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Gentle
Toccata no. 3, for organ
George Frideric Handel
85/100 +6 pts 8-16 weeks
close skills low risk to confirm
A short step up — but it is the one that moves you into Great repertoire (diploma level, beyond grade 8). New compared with the previous piece: Voix chantante and Staccato — the notes will be secure long before the musical line: work in whole phrases, singing the main voice.
Gentle
Toccata d'intavolatura in D minor, "d'ottava stesa' or 'Primo Tono"
Alessandro Scarlatti
85/100 +6 pts 8-16 weeks
close skills low risk to confirm
A short step up — but it is the one that moves you into Great repertoire (diploma level, beyond grade 8). The skill that will carry the work: Staccato and Style baroque — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Gentle
Toccata-Troncata, for piano
Sofia Gubaidulina
85/100 +6 pts 8-16 weeks
close skills low risk to confirm
A short step up — but it is the one that moves you into Great repertoire (diploma level, beyond grade 8). New compared with the previous piece: Doubles notes — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Gentle
Toccata, Adagio and Fugue in C major, BWV.564
Johann Sebastian Bach
86/100 +7 pts 8-16 weeks
close skills low risk fair confidence
A short step up — but it is the one that moves you into Great repertoire (diploma level, beyond grade 8). New compared with the previous piece: Analyse harmonique and Trilles — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Balanced step

A genuine step up, without a jolt.

Balanced
Toccata no. 5, for organ
George Frideric Handel
89/100 +10 pts 16-32 weeks
close skills moderate risk to confirm
A real step up: this piece moves you into Great repertoire (diploma level, beyond grade 8). The skill that will carry the work: Staccato and Style baroque — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Balanced
Toccata Scarlatti Primo Tono, Torino, Fondo Foà-Giorgano, Ms.401
Alessandro Scarlatti
89/100 +10 pts 16-32 weeks
close skills moderate risk to confirm
A real step up: this piece moves you into Great repertoire (diploma level, beyond grade 8). New compared with the previous piece: Indépendance des mains and Style baroque — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Balanced
Toccata per cembalo in Re minore
Alessandro Scarlatti
89/100 +10 pts 16-32 weeks
close skills moderate risk to confirm
A real step up: this piece moves you into Great repertoire (diploma level, beyond grade 8). New compared with the previous piece: Indépendance des mains and Style baroque — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Balanced
Toccata and Fugue in C
Johann Pachelbel
89/100 +10 pts 16-32 weeks
close skills moderate risk to confirm
A real step up: this piece moves you into Great repertoire (diploma level, beyond grade 8). New compared with the previous piece: Analyse harmonique and Staccato — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Same level

To widen the repertoire without raising the level.

Progressions computed from difficulty, skill overlap and style between works. A What do we play next? recommendation should remain a pedagogical starting point, not an automatic prescription.