What to play after Ukranian Dance, for violin and piano ?
Modest Mussorgsky · difficulty 53/100

Choose your level of commitment: consolidate, move up a tier or prepare a challenge. The top-ranked cards combine difficulty, risk, shared skills and confidence.

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Gentle step

The safest next step.

Gentle
6 Pezzi for Violin and Piano, P.31
Ottorino Respighi
58/100 +5 pts 5-10 weeks
partial transfer low risk to confirm
A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). New compared with the previous piece: Legato d'archet — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Gentle
Fantaisie originale in A major, for violin and piano, op. 1
Edouard Lalo
58/100 +5 pts 5-10 weeks
partial transfer low risk to confirm
A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). New compared with the previous piece: Doigté complexe and Passages rapides — settle and write in both fingering and bowings at first reading: changing them later costs weeks.
Gentle
Pièce en forme de Habanera, for violin and piano
Maurice Ravel
57/100 +4 pts 5-10 weeks
close skills low risk to confirm
A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). New compared with the previous piece: Spiccato and Rythmes pointés — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Gentle
Choses vues à droite et à gauche; sans lunettes, for violin and piano
Erik Satie
59/100 +6 pts 5-10 weeks
close skills low risk to confirm
A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). The skill that will carry the work: Technique générale — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Gentle
Rondoletto in G major, for violin and piano, op. 149
Louis Spohr
56/100 +3 pts 5-10 weeks
partial transfer low risk to confirm
A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). The skill that will carry the work: Passages rapides — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Balanced step

A genuine step up, without a jolt.

Balanced
9 Variations in D minor on a Norwegian Air, for violin and piano, op. 22, J.61
Carl Maria von Weber
64/100 +12 pts 12-24 weeks
partial transfer moderate risk to confirm
A real step up, staying in Intermediate (around grade 7 ABRSM/RCM). New compared with the previous piece: Connaissance des formes and Gammes et arpèges — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Balanced
Impromptu concertant, for violin and piano in G flat major
George Enescu
63/100 +10 pts 12-24 weeks
partial transfer moderate risk to confirm
A real step up, staying in Intermediate (around grade 7 ABRSM/RCM). New compared with the previous piece: Vibrato and Positions hautes — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.
Balanced
L'air de la pendule in A minor, for violin and piano
Camille Saint-Saëns
65/100 +12 pts 12-24 weeks
close skills moderate risk to confirm
A real step up: this piece moves you into Advanced (around grade 7 ABRSM/RCM). The skill that will carry the work: Passages rapides — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Balanced
Rondo brillant for Violin and Piano, op. 126
Johann Nepomuk Hummel
62/100 +9 pts 12-24 weeks
close skills moderate risk to confirm
A real step up, staying in Intermediate (around grade 7 ABRSM/RCM). New compared with the previous piece: Doubles notes — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Same level

To widen the repertoire without raising the level.

Progressions computed from difficulty, skill overlap and style between works. A What do we play next? recommendation should remain a pedagogical starting point, not an automatic prescription.