Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
These four waltzes create an intimate, dance-like atmosphere, alternately slightly nostalgic and charming, where the waltz pulse is present but often stretched to allow lyrical breaths. Technically, expect to focus on Tempo rubato (3.1/5) — here you must shape small, measured tempo fluctuations within phrases by controlling the right-hand gestures and the left-hand rhythmic support — and Sustain pedal (3.1/5), which requires a subtle, often half-pedal approach to connect harmonies without smearing inner voices. The pieces belong to Granados’s Romantic piano miniature tradition, intended as salon character pieces emphasizing singing lines and colour over sheer virtuosity. I do not provide a recommended recording because I cannot be fully certain of a definitive reference for these particular waltzes.