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Play — Bach: Prelude & Fugue No. 13 in F-sharp major, BWV 882 · arika002 (the player loads on click)
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Play — The Well-Tempered Clavier, 2ième Livre: Fugue No. 13 en Fa Dièse Majeur, BWV 882 · Johann Sebastian Bach, Christophe Rousset (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This F-sharp major fugue projects a bright, transparent drive where subjects answer clearly and contrapuntal continuity creates sustained rhythmic tension rather than overt drama. Technically you will need to focus on Polyphony in three or more voices (4.4/5) by maintaining independence of lines — that means supporting one voice while articulating the others, balancing touch and articulation — and on Harmonic analysis (4.4/5) to anticipate progressions and to shape dynamics and voicing at modulations and cadences. The piece belongs to the Baroque period and is part of Bach's central contrapuntal keyboard repertoire, where the fugue occupies a key place in his compositional output.