Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This rondó mixes Argentine children's motifs with restless rhythmic energy and harmonic colors that favor sharp accents and short responses rather than a long singing line. You will particularly work on Polyrhythmie 2 contre 3 (3.1/5) — here that means keeping a steady triple pulse in one hand while the other plays duple figures, requiring a clear division of motion between wrist/forearm and tactile subdivision to stay steady; and Style impressionniste (3.1/5) — it calls for very refined pedal use and touch control to shape delicate colors without blurring the contrapuntal layers. The piece belongs to Ginastera's modern-period piano output and is one of his works that transforms folk-based material into a contemporary concert idiom.