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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
The piece feels like a formative sonata leaning toward Romantic elegance: singing themes and luminous transitions call for a clear touch and phrase articulation that lets the music breathe while maintaining forward motion. Connaissance des formes (3.6/5): you will need to identify and shape exposition, development and recapitulation concretely to balance repeats and dynamic contrast, taking care with how reprises are articulated; Analyse harmonique (3.6/5): the performance requires following the modulations and cadences precisely so you can anticipate harmonic tensions and adjust voice balance by subtle hand-weight changes. This E-flat major sonata is one of Field's early published piano works and sits at the start of his piano output, showing the shift from classical models toward an emerging Romantic style. I do not provide a recommended recording for this piece out of caution.