Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Nocturne projects an intimate, nocturnal mood, with melodies that hang suspended and breathe like a tender memory rather than unfolding into broad drama. Technically, the Phrasing (4.4/5) requires shaping long melodic arcs by carefully controlling dynamics and timing so each phrase breathes, and the Legato (4.4/5) calls for precise finger connection and subtle wrist motion to join notes without breaks; Voice-leading (Voix chantante, 4.4/5) and Sustain Pedal (Pédale de sustain, 4.4/5) also demand keeping the melodic line clear while gently coloring the harmony with discreet pedaling. Placed in the early Romantic period, the piece is representative of Field’s lyrical, contemplative contributions to the nocturne repertoire. I will not name a reference recording here to avoid giving an uncertain attribution.