Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Skills not yet identified for this work.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This A major Violin Sonata has a galant, playful character, alternating singing themes with brisk passages where the rhythmic drive is immediately noticeable. With the difficulty rated around 50/100, the student will need to focus particularly on maintaining pitch accuracy and clarity of attack so that phrases remain clean and expressive without forcing tone, and on sustaining musical coherence across the piece. It belongs to Kammel's violin repertory; the provided information does not specify a period, so it is best approached as a salon/sonata-type work in a broadly classical style. I do not provide a reference recording because I am not 100% certain of an interpretation widely recognised for this specific sonata.