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Violin and piano · 2 performers
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
The Andante unfolds in an intimate, singing mood, with the violin line lingering on warm resonances rather than striking accents. Technically, expect to work on Legato d'archet (4.0/5) — here you need very even bow connections and careful control of direction changes to preserve line continuity — and Vibrato (3.5/5), which requires controlled modulation of width and speed to color sustained notes without disturbing the line. The period of composition is listed as unknown, but the piece, published as Op.9, is part of the composer's violin-and-piano output and reads like a lyrical salon-music contribution in his catalogue. I do not give a recommended recording because I am not 100% certain of a definitive interpretation for this specific work.