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Violin and piano · 2 performers
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Air varié No.10, Op.31 alternates bright, bouncing passages with more singing episodes, creating a character that is both showy and wistful, where ornamental figures embellish the main tune. You will specifically face Passages rapides (4.0/5), which require left‑hand finger agility and precise position shifts to keep the runs clear, and Legato d'archet (3.5/5), which calls for careful right‑hand bow control to connect phrases while preserving subtle accents. The period of composition is listed as unknown, but the piece belongs to Ghys's set of airs variés for violin and piano, works aimed at salon performance and pedagogical use. I do not provide a recommended recording because I am not sufficiently certain about a definitive reference for this work.