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Public-domain sheet music on IMSLP ↗
Violin and piano · 2 performers
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Air varié has a salon-like yet taut character, alternating singing phrases with brisk episodes that require precise articulation and a refined sense of color rather than expansive heroics. Technically, you will need to focus on the Passages rapides (4.0/5) — here that means rapid position changes and very tight left-hand coordination with short bow strokes — and on Contrôle du toucher (3.5/5), which requires modulating bow pressure and speed to maintain a singing legato in lyrical sections while keeping the rapid figures clear. The piece is listed as Op.13 in the composer's catalogue but its period of composition is marked as unknown, so it stands as an item whose exact place in his output is not firmly established. I do not provide a reference recording because I do not have a reliably identified, widely recognized interpretation for this specific Air varié.