Cello and piano · 2 performers
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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The Album du Gaulois for cello and piano has a lyrical, singing character with alternating expressive episodes and brisk, lively passages that call for a clear sense of line. On the technical side, you will face the Phrasing (4.0/5) — it requires shaping long phrases with controlled instrumental breathing and subtle vibrato inflections — and Rapid Passages (4.0/5), which demand right-hand agility and precise coordination with the pianist to maintain clarity and drive. The period of the piece is listed as unknown and its exact place in Arthur Meyer's catalogue is undetermined, so it is approached chiefly as a salon-style duo piece. (No reference recording is provided here.)