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Play — Beethoven Sonata No.24 in F sharp Major, Op.78 · Minsoo Sohn (the player loads on click)
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Play — Piano Sonata No. 24 in F-Sharp Major, Op. 78 "à Thérèse": II. Allegro Vivace · Ludwig van Beethoven, Tianxu An (the player loads on click)
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Public-domain sheet music on IMSLP ↗
Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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One rarely plays the whole work: each movement has its own level — often very different from the opus's overall score.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This sonata presents an intimate, luminous character, shifting between a lyrical, singing quality and moments of light irony rather than grand drama. You will need to work especially on Connaissance des formes (3.6/5) by identifying and marking reprises and thematic transitions to shape the extended phrases, and on Tempo rubato (3.1/5) which here requires slight local stretching and regrouping of time without losing the underlying pulse — gestures that mean planning phrase-scale shaping and micro-dynamic control of the finger attacks. In the composer’s catalogue the sonata occupies a more intimate place among the piano sonatas, favoring subtlety of writing over symphonic breadth.