Cello and piano · 2 performers
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
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Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
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The II. movement, “Lansam–sehr Lebhaft,” mixes a held-back, introspective line with sudden, sharp responses, giving a mood that is restrained yet restless and rhythmically alert. Practically, you will need to focus on Legato d'archet (violoncelle) (3.6/5) to keep long phrases connected across string crossings and shifts of weight, and on negotiating the Polyrhythmie 2 contre 3 (3.1/5) by refining the wrist motion and coordinating hands so the two layers stay clear. The sonata comes from Hindemith's modern period and, as this is the second version of his op. 11 no. 3, it shows his tendency in chamber works to recast textures and sharpen contrapuntal clarity within his catalogue. I do not give a specific recording recommendation here out of caution regarding the accuracy of particular references.