Cello and piano · 2 performers
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This slow movement unfolds in a gently meditative, modal atmosphere where the cello line seems to float above a simple but shifting accompaniment. You will need to focus especially on Tempo rubato (3.1/5), which here requires small, controlled tempo flexibilities—micro-delays and recoveries that must feel natural and connected—and on Harmonic analysis (Analyse harmonique) (3.1/5), to map cadences and modulations that shape tension and release and therefore inform phrasing and bow distribution. The piece sits squarely in the Romantic period and is an adaptation of material from the Cello Sonata Op. 36, showing Grieg’s interest in reworking intimate sonata material for a broader concerto-like setting.