This III. Allegretto cantabile blends a singing melody with a stylized dance pulse: you must maintain a supple melodic line while supporting a clear rhythmic profile, as if speaking while dancing. Key skills are Connaissance des formes (4.1/5) — in practice this means identifying repeats and contrasting subsections to shape phrases and set up transitions — and Ornements baroque (4.1/5) — which requires executing short ornaments with precise fingering and rhythmic placement without interrupting the melodic flow. The piece belongs to the composer’s modern period and forms the third movement of the Suite de danzas criollas, op. 15, as a characterful item within a set of contrasting dances. I do not have a specific, reliably identified reference recording to recommend.