The IV. Burlesque reads as a brisk, mischievous piece, often percussive with unexpected accents that give it a teasing, playful profile rather than a lyrical one. You will need to focus on Ornaments baroque (4.1/5) — here that means producing crisp, well-articulated embellishments that fit cleanly into the rhythmic line — and on Tempo rubato (3.1/5), which requires slight, controlled flexibility to highlight the piece’s changes of mood without losing the underlying pulse. In context, the movement belongs to Enescu’s post-Romantic piano output and functions as a contrasting, characterful number within his piano suites, combining Romantic expressivity with neo-baroque touches. I do not provide a reference interpretation here out of caution.