Violin and piano · 2 performers
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Presto has a lively, biting energy, driven by rapid phrases and sprung accents that require economical gesture to stay clear without losing momentum. Technically, pay attention to the Legato d'archet (3.6/5): here it means connecting fast figures by controlling bow distribution and pressure during quick string crossings, and to Connaissance des formes (3.6/5), which will help you shape repeats and thematic returns so the small motoric cells have clear direction. The piece belongs to the Classical period and reflects C.P.E. Bach's violin sonata writing that balances virtuosity with expressive drive, typical within his sonata output. I do not list reference recordings because I am not fully certain of a single authoritative disc for this specific movement.