Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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The safest next step.
A genuine step up, without a jolt.
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This Presto finale has a taut, driving character: nervous phrases, crisp accents and a rhythmic thrust that require agile articulation to keep the dance clear. Technically, Intonation (4.3/5) is vital to keep the thirds and fast passages in tune, and Doubles cordes (4.3/5) demand precise bow control and left/right hand coordination to balance the sound of double-stops in leaps and fugal runs. A Baroque work, this movement is part of Bach's Sonatas and Partitas for solo violin, a cornerstone of the solo violin repertoire that explores unaccompanied polyphony. I do not give a reference recording here, as I prefer not to name one unless I am completely certain it is widely identified with this specific movement.