MusicCoach difficulty
67/100
Advanced
Level of the complete work
We have no level specific to this movement. The figure above is that of the complete work: within a cycle, movements often differ widely in demand.
Estimated skills
Theory
Knowledge of forms
1
Ornaments
Baroque ornaments
1
Style
Baroque style
1
Reading
Bass clef reading
1
Tone
Touch control
1
Technique
Legato
1
Technique
Two-voice polyphony
1
What to play next?
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
Gentle step
The safest next step.
Gentle
Il secondo libro di toccate, canzone, versi d'hinni, Magnificat, gagliarde, correnti
Girolamo Frescobaldi
close skills
low risk
to confirm
A short step up, staying in Intermediate (around grade 7 ABRSM/RCM). New compared with the previous piece: Analyse harmonique and Style baroque — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Gentle
Harpsichord Suite in E, HWV.430, "The Harmonious Blacksmith"
George Frideric Handel
close skills
low risk
to confirm
A short step up, staying in Intermediate (around grade 7 ABRSM/RCM). New compared with the previous piece: Polyphonie à trois voix ou plus and Style baroque — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Balanced step
A genuine step up, without a jolt.
Balanced
Partita no. 5 in G major, BWV.829
Johann Sebastian Bach
close skills
moderate risk
fair confidence
A real step up: this piece moves you into Advanced (around grade 7 ABRSM/RCM). The skill that will carry the work: Style baroque and Ornements baroque — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Balanced
Partita no. 1 in B flat major, BWV.825
Johann Sebastian Bach
close skills
moderate risk
fair confidence
A real step up: this piece moves you into Advanced (around grade 7 ABRSM/RCM). New compared with the previous piece: Staccato and Style baroque — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Ambitious challenge
A useful leap with guided practice.
Challenge
Chaconne in G major, HWV.435
George Frideric Handel
close skills
high risk
to confirm
An ambitious leap into Advanced (around grade 8 ABRSM/RCM) — only worth starting if the practice time is really there. The skill that will carry the work: Style baroque and Ornements baroque — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Challenge
Partita no. 4 in D major, BWV.828
Johann Sebastian Bach
close skills
high risk
to confirm
An ambitious leap into Advanced (around grade 8 ABRSM/RCM) — only worth starting if the practice time is really there. New compared with the previous piece: Polyphonie à trois voix ou plus and Style baroque — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Same level
Same level
Fugue in A minor, BWV.947
Johann Sebastian Bach
partial transfer
low risk
to confirm
Equivalent demands, still Intermediate (around grade 6 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Analyse harmonique and Polyphonie à trois voix ou plus — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Same level
Sinfonia No.9 in F minor BWV 795
Johann Sebastian Bach
partial transfer
low risk
to confirm
Equivalent demands, still Intermediate (around grade 6 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Polyphonie à trois voix ou plus and Style baroque — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Same level
Magnificat Fugue, for organ in tone 5, no. 6, T. 158
Johann Pachelbel
partial transfer
low risk
to confirm
Equivalent demands, still Intermediate (around grade 6 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Analyse harmonique and Polyphonie à trois voix ou plus — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
The Courante from the Partita No. 5 in G projects a brisk, dance-like drive with tight phrases and swift voice crossings that demand crisp articulation to keep the counterpoint transparent. You will particularly work on the skill “Ornements baroque (4.1/5)”, which here requires clean execution of small appoggiaturas and short embellishments, and “Lecture clé de fa (3.1/5)”, which involves following independent bass lines with a steady, relaxed left hand through jumps and voice-sharing. The piece belongs to the Baroque keyboard repertoire as one of the clavier partitas in the composer’s cycle, where the courante functions as a lively dance movement.