No verified recording for this work yet. We add more every week.
Public-domain sheet music on IMSLP ↗
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
Does this rating look right to you?
This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This piece conveys a bright, processional energy where brisk motifs alternate with more songlike replies, giving a sense of restrained celebration and clear rhythmic drive rather than overflowing emotion. Technically you will face, in particular, Phrasing (2.5/5): you must shape short phrases while respecting answers and internal punctuation, and Two-voice Polyphony (2.5/5): you need to balance two independent lines clearly by controlling fingering and hand independence so each voice projects. The work belongs to Bach's repertory of sacred cantatas and, even in a keyboard reduction, retains the contrapuntal clarity and structural logic typical of that part of his output. I do not list a reference interpretation here because I prefer not to risk naming a specific recording unless I am certain of it.