Violin and piano · 2 performers
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This sonata unfolds as a conversational piece between violin and keyboard, alternating lively phrases with more hesitant returns punctuated by expressive pauses and brief lyrical outbursts. You will face mainly Legato bowing (3.6/5), which here requires very precise bow distribution and smooth string crossings to keep continuous lines, and Vibrato (3.6/5), used sparingly to shape small expressive nuances without weighing down the phrasing. It belongs to the Classical period and sits within C.P.E. Bach's chamber sonata output, where emphasis is placed on expressive subtlety and formal contrast rather than on overt virtuosity.