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Play — Gelobet seist du, Jesu Christ, BWV 91: III. Aria. Gott, dem der Erdenkreis zu klein (Tenore) · Netherlands Bach Collegium - Topic (the player loads on click)
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Play — Gelobet seist du, Jesu Christ, BWV 91 - Aria Soprano, Alto: Die Armut, so Gott auf sich nimmt · Johann Sebastian Bach, Ton Koopman, Christoph Prégardien, Annette Markert, Lisa Larsson, Klaus Mertens, Amsterdam Baroque Orchestra & Choir (the player loads on click)
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Public-domain sheet music on IMSLP ↗
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This piano arrangement retains the calm, devotional character of a chorale — singing phrases and transparent harmonies that require breathing and letting the line unfold without clutter. Technically you will face specifically “Voix chantante (2.5/5)”, which here means sustaining a controlled legato in the melody so the line breathes, and “Ornements baroque (2.5/5)”, which requires executing short mordents and embellishments with rhythmic precision without breaking the pulse. The piece belongs to Bach’s sacred chorale/cantata milieu where chorales function as foundations for contrapuntal development and liturgical expression. I do not give a reference recording out of caution because I cannot be certain of a single authoritative piano version for this work.