Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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A useful leap with guided practice.
This mazurka has an intimate, slightly melancholic dance character, with irregular accents that evoke a popular dance rather than a ceremonial piece. You should focus especially on Rhythm general (2.5/5) by making the dance pulses audible with flexible accents and slight tempo inflections, and on Phrasing (2.5/5) by shaping each small phrase through precise connections and releases so the singing line remains clear beneath the accompaniment figures. It belongs to Chopin's group of mazurkas for piano, compact pieces in his output that explore Polish dance forms. I do not give a recommended performance here because I prefer not to cite a specific recording unless I can be certain of its exact match to this work.