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Play — Schubert: Piano Sonata No. 16 in A Minor, D. 845: IV. Rondo. Allegro vivace · Mitsuko Uchida - Topic (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
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A useful leap with guided practice.
This Rondo Allegro vivace feels like a brisk, spirited run, alternating sparkling, nimble episodes with more songful interludes where the rhythmic drive must stay light without sounding mechanical. Among the technical challenges, the Passages rapides (3.5/5) require very precise finger articulation and tight right/left coordination to keep clarity and relaxation in the fast figuration, and Connaissance des formes (3.6/5) asks you to anticipate repeats and transitional episodes so you can shape phrases and manage the flow and energy across the whole rondo. The piece belongs to the piano repertoire of the Romantic period and functions as the brilliant final movement of a Schubert piano sonata. I do not give a reference interpretation because I am not 100% certain of a specific recording for this movement.