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Play — Franz Schubert : Sonate n° 16 en la mineur D. 845, III. Scherzo. Allegro vivace - Trio. Un poco p... · France Musique concerts (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
A genuine step up, without a jolt.
A useful leap with guided practice.
This third movement is brisk and springy, with a skipping dance character that alternates sharp accents and light replies, producing persistent rhythmic tension rather than extended lyrical lines. Technically, you will need to focus on Passages rapides (3.5/5) — specifically achieving very even, relaxed fingering for the fleeting triplet figures and jumps while maintaining a flexible wrist and forearm — and on Nuances (3.5/5), since the movement requires precise dynamic contrasts and bringing out inner voices through subtle touch and hand-position adjustments. The piece sits within Schubert’s piano sonata output as a work that blends scherzo clarity with the richer harmonic colors that point toward the Romantic era. I do not give a recommended recording here because I am not fully certain of a single definitive interpretation for this specific movement.